Limestone and Felt, by Caroline Shaw
Performed by: New Morse Code
http://www.newmorsecode.com
Michael Compitello & Hannah Collins
Video: Four/Ten Media
http://fourtenmedia.net
Michael Compitello Vic Firth Artist Page:
http://vicfirth.com/artist/Michael_Co...
Purchase the score:
https://caroline-shaw-editions.myshop...
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MALLETS USED:
Robert van Sice Signature Series
http://vicfirth.com/robert-van-sice/
Rute
http://vicfirth.com/products/alternat...
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ABOUT THE PIECE:
“limestone & felt” presents two kinds of surfaces – essentially hard and soft. These are materials that can suggest place (a cathedral apse, or the inside of a wool hat), stature, function, and – for me – sound (reverberant or muted). In limestone & felt, the hocketing pizzicato and pealing motivic canons are part of a whimsical, mystical, generous world of sounds echoing and colliding in the imagined eaves of a gothic chapel. These are contrasted with the delicate, meticulous, and almost reverent placing of chords that, to our ears today, sound ancient and precious, like an antique jewel box. Ultimately, felt and limestone may represent two opposing ways we experience history and design our own present.”
-Caroline Shaw
ABOUT THE COMPOSER:
Caroline Adelaide Shaw is a New York-based musician—vocalist, violinist, composer, and producer—who performs in solo and collaborative projects. She is the youngest recipient of the Pulitzer Prize for Music, for Partita for 8 Voices, written for the Grammy-winning Roomful of Teeth, of which she is a member. Recent commissions include new works for the Dover Quartet, the Calidore Quartet, the Aizuri Quartet, FLUX Quartet, Brooklyn Rider, Anne Sofie von Otter, The Crossing, Roomful of Teeth, yMusic, ACME, ICE, A Far Cry, Philharmonia Baroque, the Baltimore Symphony, and Carnegie Hall’s Ensemble Connect. In the 2017–18 season, Caroline’s new works will be premiered by Renée Fleming with Inon Barnatan, Dawn Upshaw with Sō Percussion and Gil Kalish, the Orchestra of St. Luke’s with John Lithgow, the Britten Sinfonietta, TENET with the Metropolis Ensemble, the Mendelssohn Club of Philadelphia, the Netherlands Chamber Choir, and Luciana Souza with A Far Cry. Future seasons will include a new piano concerto for Jonathan Biss with the St. Paul Chamber Orchestra and a new work for the LA Phil. Caroline’s scoring of visual work includes the soundtrack for the feature film To Keep the Light as well as collaborations with Kanye West. She studied at Yale, Rice, and Princeton, and she has held residencies at Dumbarton Oaks, the Banff Centre, Music on Main, and the Vail Dance Festival. Caroline loves the color yellow, otters, Beethoven opus 74, Mozart opera, Kinhaven, the smell of rosemary, and the sound of a janky mandolin.
MORE INFO HERE:
http://carolineshaw.com/
ABOUT THE PERFORMERS:
“New Morse Code (Hannah Collins, cello; Michael Compitello, percussion) is the confluence of two magnetic personalities who have taken up the admirable task of creating a hub for the performance, commissioning, and promotion of new music. NMC is theoretically the alluring and uncommon combination of cello and percussion, but in practice is best described as two musicians of extraordinary depth and skill untethered by their instrumental constraints. This unrestricted approach has allowed them to create a body of work in which Hannah can be found crushing plastic bottles and Michael plucking the strings of the cello––all with the intention of expanding and facilitating the imaginations of their composer-collaborators––while ultimately creating a meaningful and lasting repertoire. The performances that arise from this playful and innovative methodology reveal Hannah and Michael’s passion for sharing the work of their friends and peers, and aside from their effortless ability to perform the most finger-twisting of contemporary repertoire, NMC’s ability to communicate the esoteric details and depth of these complex works is what makes them truly remarkable chamber musicians. As tireless advocates for new music, they constantly seek out diverse venues (wineries, outdoor parks, art museums, elementary school classrooms), and their ability to connect with disparate audiences by way of their disarming charm, accessible intellect, and dynamic musicality is exceptional.
Hannah and Michael formed New Morse Code while they were students at Yale after returning to the United States from extended and informative study in Europe. Inspired by their similar yet different experiences abroad, they began performing together and planting the seeds that would blossom into their dedicated community of collaborators and followers. They currently teach at the University of Kansas and co-direct the Avaloch Farm New Music Initiative.”
-Christopher Stark
June 2017
MORE INFO HERE:
http://www.newmorsecode.com
Limestone and Felt, by Caroline Shaw | |
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| Music | Upload TimePublished on 23 Oct 2018 |
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